Making Expert Knowledge through the Image
Connections between Antiquarian and Early Modern Scientific Illustration
Bibliographic Data
| ID | 3404067 |
|---|---|
| Authors | Stephanie Moser (0000-0002-1564-447X, University of Southampton, corresponding author) |
| Year | 2014 |
| Volume | 105 |
| Issue | 1 |
| Pages | 58-99 |
| Publication date | 2014-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Isis (JOURNAL) |
| Journal identifiers | ISSN: 0021-1753 • E-ISSN: 1545-6994 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/675551 |
| PMID | 24855872 |
| OpenAlex | W2040973252 |
| Language | EN |
| Citations received | 26 |
| References cited | 23 |
This essay examines drawings of antiquities in the context of the history of early modern scientific illustration. The role of illustrations in the establishment of archaeology as a discipline is assessed, and the emergence of a graphic style for representing artifacts is shown to be closely connected to the development of scientific illustration in the seventeenth and early eighteenth centuries. The essay argues that the production of conventionalized drawings of antiquities during this period represents a fundamental shift in the approach to ancient material culture, signifying the recognition of objects as evidence. As has been demonstrated in other scientific fields, the creation of a visual system for recording objects was central to the acceptance of artifacts as "data" that could be organized into groups, classified as types, and analyzed to gain knowledge of the past
Archaeological Research and Protection · Cultural Heritage Materials Analysis · History of Science and Natural History
An autopsic art
Professionalization
Foucault's Clay Feet
Human versus computer vision in archaeological recording
Figures de la preuve en histoire
Imagining Otherwise
Artificial Intelligence and Archaeological Illustration
Why Are Heritage Interpreters Voiceless at the Trowel's Edge? A Plea for Rewriting the Archaeological Workflow
Visualizing Archaeologists
Tradition in Transition
The Problem with ‘Digital Realism’ in Underwater Archaeology
Changing the way Archaeologists Work
Analog to Digital
Reconstructing Ancient Worlds
Writing lessons in antiquarianism
Finding Christ in roots and seeds
Galileo, Oracle
Monstrous hybridity of social information technologies
Storied Objects, Scientific Objects, and Renaissance Experiment
The Structures and Textures of Disease Made Printable
Lost Treasures Resurface
Apes, skulls and drums
Metamorphoses of a Monument
Why William Harvey Went to Stonehenge
Un encargo muy especial
Visual competence' in archaeology
The Science of Describing
Ancestral Images
The evolution of accuracy in natural history illustration
The Power of Images in Early Modern Science
L’archéologie comme projet esthétique. Le Recueil d’antiquités du comte de Caylus
Words, Lines, Diagrams, Images
Life lines
Pirro Ligorio, Cassiano Dal Pozzo and the Republic of Letters
Le comte de Caylus et l'Académie des Inscriptions
The meaning of ceraunia
Picturing the Book of Nature
Leonhart Fuchs on the Importance of Pictures
Inquiry as Collection
Possessing Nature
| Unique citing works | 26 |
|---|---|
| Citations per year | 2,17 |
| Citation span | 2014 - 2025 (12) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 25 |