Transforming the Commonplace through Machine Perception
Light Field Synthesis and Audio Feature Extraction in the Rover Project
Bibliographic Data
| ID | 3406088 |
|---|---|
| Authors | Robert Twomey (Department of Art, Youngstown State University, 1 University Plaza, Youngstown, OH 44555, U.S.A., corresponding author), Michael Mccrea (0000-0001-9791-9475, DXARTS, University of Washington, 207 Raitt Hall, Seattle, WA 98195, U.S.A., corresponding author) |
| Year | 2017 |
| Volume | 50 |
| Issue | 4 |
| Pages | 400-408 |
| Publication date | 2017-08-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon_a_01458 |
| OpenAlex | W4236945237 |
| Language | EN |
| Citations received | 1 |
Rover is a mechatronic imaging device inserted into quotidian space, transforming the sights and sounds of the everyday through its peculiar modes of machine perception. Using computational light field photography and machine listening, it creates a kind of cinema following the logic of dreams: suspended but mobile, familiar yet infinitely variable in detail. Rover draws on diverse traditions of robotic exploration, landscape and still-life depiction, and audio field recording to create a hybrid form between photography and cinema. This paper describes the mechatronic, machine perception, and audio-visual synthesis techniques developed for the piece
Active listening · Art · Computer vision · Depiction · Feature (linguistics) · Field (mathematics) · Human–computer interaction · Mechatronics · Movie theater · Optics · Perception · Photography · Sight · Sociology · Visual arts · 3D Surveying and Cultural Heritage · Advanced Image and Video Retrieval Techniques · Advanced Vision and Imaging · Artificial Intelligence · Communication · Computer Science · Psychology
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |