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Vincenzo Galilei's Musicology and Galileo's Science

Methodological Comparison and Contrast

Bibliographic Data

ID3422049
AuthorsMaurice A Finocchiaro (0000-0003-1982-4782, University of Nevada, Las Vegas, corresponding author)
Year2020
Volume111
Issue4
Pages740-758
Publication date2020-12-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueIsis (JOURNAL)
Journal identifiersISSN: 0021-1753 • E-ISSN: 1545-6994
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/712039
OpenAlexW3119378689
LanguageEN
References cited13

This essay presents a critical analysis of the relationship between Galileo’s Dialogue on the Two Chief World Systems, Ptolemaic and Copernican (1632), and his father Vincenzo’s Dialogue on Ancient and Modern Music (1581). The analysis is carried out with the awareness that Vincenzo systematically practiced the experimental method in the science of music and thus influenced Galileo, who applied it in the physics of falling bodies. Moreover, there are some conspicuous similarities between the two books—for example, their titles and their nuanced critiques of authority. However, there is no comparison between Galileo’s and Vincenzo’s books with regard to dramatic power, unified coherence, critical reasoning, and methodological self-reflection. Furthermore, whereas the son favors the moderns, the father favors the ancients; and whereas the son advocates an anti-clerical position, the father advocates a pro-clerical position. It follows that, unlike in the case of experimentation, in writing his Dialogue the son did not learn, and could not have learned, much from his father’s Dialogue

Coherence (philosophical gambling strategy · Copernican principle · Epistemology · Galileo (satellite navigation · Geography · Physics · Power (physics · Sociology · Historical Philosophy and Science · History of Science and Medicine · Philosophy · Renaissance and Early Modern Studies

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Citation velocityhistorical
Highly citedNo

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