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Viewing Race in the Comfort Zone

Acceptance and Rejection of Black-Centered TV Programming via Nielsen Ratings 1964-1994

Bibliographic Data

ID3439103
AuthorsBrenda L Hughes, Brenda Hughes (0009-0004-5221-8017, Florida Agricultural and Mechanical University, corresponding author)
Year2014
Volume4
Issue3
Publication date2014-07-01
Open AccessYes
TypeARTICLE
VenueSAGE Open (JOURNAL)
Journal identifiersISSN: 2158-2440 • E-ISSN: 2158-2440
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/2158244014549151
OpenAlexW2175894525
LanguageEN
Citations received2
References cited12

Carter suggests the concept of a "comfort zone" to explain the inability of dramatic African American programs to be successful on television. He argues that a workable formula has been developed for successful African American series, "portray black people in a way that would be acceptable to the millions of potential purchasers (whites) of advertised products. That is, non-threatening and willing to 'stay in their place.'". Using a data set constructed from television ratings and shares, this study examines "black-centeredness" within the context of program success and failure. The comfort zone concept argues Black-centered television series are only successful in a comedic genre because White audiences, who have the majority of the ratings power, will only watch Black-centered series with which they are comfortable. The findings suggest that, in general, race, that is Black-centeredness, did not negatively influence program ratings or shares

Advertising · African american · Black Power · Business · Media studies · Political science · Politics · Reality television · Sociology · Television series · Computer Science · Gender Studies · History · Media Influence and Health · Media Studies and Communication · Media, Gender, and Advertising · Psychology · Social Psychology

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Citations per year0.67
Citation span2023 - 2024 (2)
Highly citedNo

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