Mickey go home
La désaméricanisation de la bande déssinée (1945-1950)
Bibliographic Data
| ID | 3448134 |
|---|---|
| Authors | Pascal Ory (corresponding author) |
| Year | 1984 |
| Volume | 4 |
| Issue | 1 |
| Pages | 77-88 |
| Publication date | 1984-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Vingtième Siècle Revue d histoire (JOURNAL) |
| Journal identifiers | ISSN: 0294-1759 • E-ISSN: 1950-6678 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/xxs.1984.1718 |
| OpenAlex | W1970880884 |
| Language | EN |
| Citations received | 4 |
Mickey go home! The de-Americanization of the comic strip (1945-1950), Pascal Ory. American cultural hegemony, which had reached France even before the Second World War, became more marked after 1945. In the case of the comic strip, a Francophone tradition succeeded in resisting the influence of American funnies. Thanks to protectionist legislation, a «moderate synthesis», joining moralism and modernity inspired by Catholic movements, managed to impose a style, a « clean line », which long ensured the reputation of a French-Belgian school (Herge, Jacobs, Franquin, etc.) at the expense of American heroes
Americanization · Art · Comics · Culture of the United States · Hegemony · Immigration · Legislation · Modernity · Political science · Politics · Populism · Psychological nativism · Reputation · Sociology · World War II · Communism, Protests, Social Movements · French Historical and Cultural Studies · Historical Studies and Socio-cultural Analysis · Law
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,11 |
| Citation span | 1991 - 2022 (32) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |