Sustaining a Global Community
Art and Religion in the Network of Baroque Hispanic-American Paintings
Bibliographic Data
| ID | 3464672 |
|---|---|
| Authors | Juan Luis Suárez (0000-0001-9302-2986, The CulturePlex Lab, University of Western-Ontario, London, ON, N6A 3K7, Canada.), Fernando Sancho (The CulturePlex Lab, University of Western-Ontario, London, ON, N6A 3K7, Canada.), Javier De La Rosa (0000-0002-9143-5573, The CulturePlex Lab, University of Western-Ontario, London, ON, N6A 3K7, Canada.) |
| Year | 2012 |
| Volume | 45 |
| Issue | 3 |
| Pages | 281-281 |
| Publication date | 2012-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon_a_00374 |
| OpenAlex | W2013740390 |
| Language | EN |
| Citations received | 3 |
The authors analyze the network of Hispanic baroque paintings from 1550 to 1850. They divide the dataset of 11,443 works from Spain and Latin America into 25-year periods in order to study the evolution of the paintings' 211 descriptors. The analysis shows that most of the paintings are linked through genre and theme and that religious Christian themes make up the overwhelming majority of connections among the paintings
Aesthetics · Art · Art history · Baroque · Latin Americans · Linguistics · Order (exchange) · Painting · Theme (computing) · Visual arts · World Wide Web · Art History and Market Analysis · Computer Science · Historical Art and Architecture Studies · Philosophy
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2014 - 2025 (12) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |