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Biot's Paper and Arago's Plates

Photographic Practice and the Transparency of Representation

Bibliographic Data

ID3469299
AuthorsTheresa Levitt (0000-0002-0685-9495, University of Mississippi, corresponding author)
Year2003
Volume94
Issue3
Pages456-476
Publication date2003-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueIsis (JOURNAL)
Journal identifiersISSN: 0021-1753 • E-ISSN: 1545-6994
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/380654
PMID14626764
OpenAlexW2008476428
LanguageEN
Citations received3
References cited7

François Arago and Jean-Baptiste Biot, two of the physicists most involved in early photography, mobilized this new technology for their ongoing debates about the proper boundaries of the public in France. Each threw his weight behind one of the competing photographic processes, Arago supporting daguerrian silver plates and Biot favoring paper soaked in silver solution. For both men, disagreement at the level of materials and techniques was further bound up with disagreement about what kind of visual evidence the photograph was and who was capable of understanding it. Biot argued for a severely restricted community of photographic practitioners. His papers, he claimed, revealed an invisible world of chemical radiation accessible only to those who understood the chemistry involved. Arago's reliance on resemblance, on the other hand, permitted him to present daguerreotype plates as a form of representation available to all, even incorporating them into his campaign for universal male suffrage

Aesthetics · Art · Biot number · Epistemology · Mechanics · Photography · Physics · Political science · Politics · Representation (politics · Sociology · Visual arts · Historical Studies and Socio-cultural Analysis · History of Science and Natural History · Law · Philosophy · Photography and Visual Culture

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Unique citing works3
Citations per year0,16
Citation span2007 - 2013 (7)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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