Performance Art
From Futurism to the Present
Bibliographic Data
| ID | 3500941 |
|---|---|
| Authors | Roselee Goldberg (corresponding author) |
| Year | 1988 |
| Volume | 21 |
| Issue | 4 |
| Pages | 464 |
| Publication date | 1988-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1578724 |
| OpenAlex | W1984507398 |
| Language | EN |
| Citations received | 50 |
Goldberg provides a survey of performance art of 20th century tracing tradition's evolution from futurism through constructivism, Dada, surrealism and Bauhaus. The practice in United States (beginning with Black Mountain College through New York scene of 1950s and 1960s to influence of conceptual art and work of the media generation) is also examined. Bibl. 2 p
Aesthetics · Art · Art history · Constructivism (international relations) · Media arts · Political science · Politics · Visual arts · Art, Politics, and Modernism · Art, Technology, and Culture
Performing art history
A decolonidade do corpo e das artes de Aleta Valente
Pussy Riot’s humour and the social media
Expor a arte da performance
The "return" of performance art from a glocal perspective
Vaudeville comedy and art
Performance is Dissolution
A escrita/performance de Diamela Eltit
Work, specimen, witness
Beyond Pollock
From Objects to Actions and Back Again
Futurism e-visited
Body Imagery in the Avant-gardes of the Twentieth Century
Performative Processes
Transgenealogies of Portuguese Performance Art
Reproducing the White Bourgeois
Bohemianism, the Cultural Turn of the Avantgarde, and Forgetting the Roma
Laurie Anderson's Telepresence
Performing Ketjak
Carla Harryman's Non/Representation and the Ethics of Dispersive Performance
Fill/Flash/Memory
Performing theory/embodied writing
Can George dance? Biosemiotics and human exceptionalism with a lyrebird in the viewfinder
Debut Paper Prizewinner
Performing and Dying in the name of World Peace
New directions in museum ethics
Dissertation as performance [Art Script] (Take Three)
How many angels can dance on the head of a pin? Understanding ‘alien’ thought
Why Performance? Why Now? Textuality and the Rearticulation of Human Presence
Renovate my uterus
Futurism as a Submerged Paradigm for Artistic Activism and Practical Anarchism
"Anorexia nervosa and the problem of "men
The Theatricality of the Blues
Martha Wilson
La estructura de las revoluciones científicas según Thomas Kuhn en el análisis de la historia del arte
"Resisting the Question, "What Is an Avant-Garde
Quelque chose de rouge”
The Strange Dance
Mathematics and Performance Art
Paris Plage
“Am I Providing a Good Show for You?”
Wild Man as an Androgynous and Psychedelic Image in Contemporary Performative Art
Of Closure and Convention
The expanding galaxy of performing arts
Performing domination and resistance between body and space
The expanding role of the designer in the creation of new theatrical work
Politics, Poetry and Performance at a Time of Surveillance
Where they danced
Mixing Art and Life
Christian Dior está morto
| Unique citing works | 50 |
|---|---|
| Citations per year | 1,47 |
| Citation span | 1992 - 2024 (33) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 10 |