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Sacred Music and Hindu Religious Experience

From Ancient Roots to the Modern Classical Tradition

Bibliographic Data

ID3531093
AuthorsGuy L Beck
Year2019
Volume10
Issue2
Pages85
Publication date2019-01-29
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueReligions (JOURNAL)
Journal identifiersISSN: 2077-1444 • E-ISSN: 2077-1444
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/rel10020085
OpenAlexW2911735440
LanguageEN
Citations received9
References cited2

While music plays a significant role in many of the world's religions, it is in the Hindu religion that one finds one of the closest bonds between music and religious experience extending for millennia. The recitation of the syllable OM and the chanting of Sanskrit Mantras and hymns from the Vedas formed the core of ancient fire sacrifices. The Upanishads articulated OM as Śabda-Brahman, the Sound-Absolute that became the object of meditation in Yoga. First described by Bharata in the Nātya-Śāstra as a sacred art with reference to Rasa (emotional states), ancient music or Sangīta was a vehicle of liberation (Mokṣa) founded in the worship of deities such as Brahmā, Vishnu, Śiva, and Goddess Sarasvatī. Medieval Tantra and music texts introduced the concept of Nāda-Brahman as the source of sacred music that was understood in terms of Rāgas, melodic formulas, and Tālas, rhythms, forming the basis of Indian music today. Nearly all genres of Indian music, whether the classical Dhrupad and Khayal, or the devotional Bhajan and Kīrtan, share a common theoretical and practical understanding, and are bound together in a mystical spirituality based on the experience of sacred sound. Drawing upon ancient and medieval texts and Bhakti traditions, this article describes how music enables Hindu religious experience in fundamental ways. By citing several examples from the modern Hindustani classical vocal tradition of Khayal, including text and audio/video weblinks, it is revealed how the classical songs contain the wisdom of Hinduism and provide a deeper appreciation of the many musical styles that currently permeate the Hindu and Yoga landscapes of the West

Aesthetics · Art · Hinduism · Literature · Meditation · Musical · Mysticism · Sacred music · Sanskrit · Tantra · Theology · Vedas · Worship · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · History · Philosophy · Religious Studies

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    Open Access•Manali Ghosh, Manasi Majumdar•ShodhKosh: Journal of Visual and…•2022

  • Altered states of consciousness induced by online chanting meditation

    Open Access•Gemma Perry, Yanan Sun et al.•Current Psychology•2025

  • Roles of religious music and religious well-being in the relationship between fundamentalism and subjective well-being among Korean Christians

    Alexander Park, Sung-Jin Chung et al.•Journal of Beliefs and Values•2025

  • Sacred Harmony

    Open Access•Guy L Beck•Religions•2026

  • Strings of Divinity

    Open Access•Wenjun Li•Journal of Religion and Health•2026

  • Music and Spirituality

    Open Access•Dinesh Bist, Matt Shuttleworth et al.•Religions•2024

  • Theology of Music and Hindu Religion

    Open Access•Guy L Beck•Religions•2021

  • Preoccupation with Devotional Songs and Spiritual Well-Being of Religious Individuals

    Open Access•Alexander Park, Kyung-Hyun Suh•Religions•2022

  • The Role of the Sarva Dharma Ashram in Contributing to the Well-Being of Youth and Their Families in Welbedacht, South Africa

    Open Access•Yashna Gurcharan, Raisuyah Bhagwan•Religions•2021

Unique citing works9
Citations per year1,8
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 9

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