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Music As Extended Agency

On Notation and Entextualization in Improvised Music

Bibliographic Data

ID3538892
AuthorsFloris Schuiling (corresponding author)
Year2022
Volume103
Issue2
Pages322-343
Publication date2022-05-06
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic and Letters (JOURNAL)
Journal identifiersISSN: 0027-4224 • E-ISSN: 1477-4631
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/ml/gcab109
OpenAlexW4205969538
LanguageEN
Citations received2

This article presents results from fieldwork with two groups of improvisers using different forms of notation in their creative practice. Such practices raise fundamental questions about the relation of notation to performance. Drawing on theories of entextualization in linguistic anthropology, I argue that, contrary to many arguments for a performative understanding of music, performance is partly about creating something that has an identifiable existence, transcending space and time. The notations and compositional systems used by improvisers are a means of achieving this entextualization of their musical utterances. One of the main findings of my fieldwork was that improvisers frequently speak of acting 'in service of the music', a phrase commonly associated with composition-centred musical discourse. Drawing on the work of Karin Barber and Alfred Gell, I argue that this idea represents a process of entextualization that is not a negation of performers' creative agency, but an extension of it

Aesthetics · Agency (philosophy) · Art · Composition (language) · Epistemology · Linguistics · Musical · Musical notation · Negation · Notation · Performative utterance · Phrase · Relation (database) · Sociology · Visual arts · Computer Science · Historical Linguistics and Language Studies · Linguistic Variation and Morphology · Multilingual Education and Policy · Philosophy

  • On Sense-making, Groove, and Choice in Experimental Improvised Music

    Open Access•Joshua A Bergamin, Christopher A Williams•Performance Philosophy•2025

  • Talking Scores and the Dismediation of Music Notation

    Open Access•Floris Schuiling•Music Theory Online•2023

Unique citing works2
Citations per year0,67
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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