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Deconstructing giftedness

A relational analysis of the make-up of talent in theatrical dance

Bibliographic Data

ID3544358
AuthorsLito Tsitsou (Sociology, University of Glasgow, UK, corresponding author)
Year2024
Volume72
Issue4
Pages789-807
Publication date2024-07-01
Open AccessYes
TypeARTICLE
VenueThe Sociological Review (JOURNAL)
Journal identifiersISSN: 0038-0261 • E-ISSN: 1467-954X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/00380261241258588
OpenAlexW4403217002
LanguageEN
References cited43

This article embarks on a sociological explanation of the genesis of talent as an embodied experience and as bodily hexis generated within a system of social and aesthetic relations which are characterised by symbolic oppositions. Using Bourdieu's theory of artistic production, I argue that talent in theatrical dance constitutes an ideal type materialised through the construction of the dancing body as a site of excellence, only possible through access to specific forms of capital. Drawing on historical and contemporary empirical material to conceptualise talent in dance, the article critiques the notion of talent as an innate gift, contending that virtuoso physical performance is a product of history and practice and acquires meaning within such conditions of engagement

Aesthetics · Art · Dance · Sociology · Visual arts · Creativity in Education and Neuroscience · Diverse Music Education Insights · Psychology · Social Psychology · Sport Psychology and Performance

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Highly citedNo

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