Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Molding the Signifier

Codesculpting the Possible Shapes of a Future Consciousness

Bibliographic Data

ID3558687
AuthorsIvor “id” Diosi (corresponding author)
Year2017
Volume50
Issue1
Pages80-81
Publication date2017-02-01
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/leon_a_01355
OpenAlexW2527968037
LanguageEN
Citations received2
References cited3

This article introduces the art/science/transmedia project Molding the Signifier and maps out its wider cultural and societal connotations, reach and significance, with specific reference to its staging within the Trust Me, I'm an Artist event (an EU Creative Europe-funded project) that took place in Prague in 2015. As the work itself strives to artistically bridge and synthesize recent-in the opinion of the authoring artist group-existentially highly relevant results in science, so the article provides an overview and synthesis of their art/science fusion approach and methods

Aesthetics · Art · Bridge (graph theory) · Consciousness · Epistemology · Event (particle physics) · Sociology · Visual arts · Work (physics) · Aesthetic Perception and Analysis · Artistic and Creative Research · Computer Science · Creativity in Education and Neuroscience · Engineering · Philosophy

  • The dialectics of digitalisation

    Open Access•Rikard Lindell•Futures•2024

  • What's Art Got to Do with It? Reflecting on Bioart and Ethics from the Experience of the Trust Me, I'm an Artist Project

    Annick Bureaud•Leonardo•2018

Citations per year0.25
Citation span2018 - 2024 (7)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae