Early Chan Buddhism
A Meditation Movement or New Ways of Writing about Final Authority in Tang China
Bibliographic Data
| ID | 3559705 |
|---|---|
| Authors | Alan Robert Cole (Independent Scholar, Westport, NY 12993, USA), Alan Cole (Film Independent, corresponding author) |
| Year | 2024 |
| Volume | 15 |
| Issue | 4 |
| Pages | 403 |
| Publication date | 2024-03-26 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel15040403 |
| OpenAlex | W4393201777 |
| Language | EN |
| Citations received | 1 |
| References cited | 32 |
This essay argues that the long-standing assumption that Chan Buddhism began as a meditation movement is outdated and needs to be replaced by a paradigm that sees the origins of Chan in a set of literary inventions that took form in the mid-Tang era and were designed to prove that the totality of tradition was owned by certain masters of the day. These bold claims to own perfect tradition were bolstered by newly invented genealogies that worked to show that this or that master was, in effect, a descendant of the Indian Buddha, and, thus, a quasi-Buddha himself. Further finessing these efforts to take over final authority in the world of Tang Buddhism was the studied use of Daoist tropes to naturalize and soften these aggressive claims, all in order to make them more appealing to elite readers who could now be impressed by decidedly Chinese-looking portrayals of perfect Buddhism, set on the timeless ground of the Great Dao, where there could be no competition, envy, literary pretensions, or even Buddhist practices-just pure and total truth in the body of a Chinese man. In trying to make sense of this cycle of carefully rewriting the past in order to control the present (and future), it should be clear that we need to switch to a paradigm that accepts that the seductive reinvention of tradition was done consciously and with no small amount of craft and cunning
Aesthetics · Art · Buddhism · China · Literature · Meditation · Political science · Theology · Chinese history and philosophy · History · Indian and Buddhist Studies · Japanese History and Culture · Law · Philosophy
The Spread of Buddhism
Text as FatherPaternal Seductions in Early Mahayana Buddhist Literature
The Daode Jing
Patriarchs on Paper
The Linji Lu and the Creation of Chan Orthodoxy
Enlightenment in Dispute
The Records of Mazu and the Making of Classical Chan Literature
How Zen Became Zen
The Northern School and the Formation of Early Ch'an Buddhism
Traditions of Meditation in Chinese Buddhism
Inventing Hui-neng, the Sixth Patriarch
The Mystique of Transmission
Chan Before Chan
The Zen Canon
The Bodhidharma Anthology
The Power of Patriarchs
Manufacturing Religion
Imagining Religion
Another Look at Early Chan
The Field, at the Moment, Is Up for Redefinition”
Visions of Happiness
Simplicity for the Sophisticated
Archaeology and Protestant Presuppositions in the Study of Indian Buddhism
Upside down/Right Side up
Bodhidharma as Textual and Religious Paradigm
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2026 - 2026 (1) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |