Plus noise unlock
Bibliographic Data
| ID | 3564409 |
|---|---|
| Authors | Meesh Fradkin (Meesh Fradkin, McGill University, Schulich School of Music, Department of Music Research, Montreal, QC, Canada. Email: [email protected].), M A Fradkin (Centre for Interdisciplinary Research in Music Media and Technology, corresponding author) |
| Year | 2024 |
| Volume | 57 |
| Issue | 2 |
| Pages | 147-152 |
| Publication date | 2024-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.1162/leon_a_02495 |
| OpenAlex | W4391164977 |
| Language | EN |
| Citations received | 1 |
| References cited | 10 |
What happens when speech synthesis applications are incompatible with certain software? This essay considers how inaccessibility within the software and programming language Max is sonically, aesthetically, culturally, and ideologically amplified through a case study of "plus noise unlock," which is the sound made by the author's computer when she attempts to use a screen reader within a patcher window
Noise (video) · Artificial Intelligence · Computer Science · Digital Games and Media
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |