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Gesture politics and the art of ambiguity

The Iron Age statue from Hirschlanden

Bibliographic Data

ID3592737
AuthorsIan Armit (0000-0001-8669-3810, University of Bradford), Philomena Grant (University of Bradford)
Year2008
Volume82
Issue316
Pages409-422
Publication date2008-06-01
Open AccessYes
TypeARTICLE
VenueAntiquity (JOURNAL)
Journal identifiersISSN: 0003-598X • E-ISSN: 1745-1744
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0003598x00096903
OpenAlexW331594822
LanguageEN
Citations received6
References cited12

The discovery of the extraordinary Hirschlanden figure was reported in this journal in 1964. Since then the statue has featured in numerous discussions of Iron Age art and society, to the extent that it has become one of the iconic images of the European Iron Age. It has become almost taken for granted that the Hirschlanden figure is an 'intensely masculine' warrior statue representing the heroised dead. However, certain aspects of the figure suggest a rather deeper, more ambiguous symbolism. The authors use their up-to-date critique to raise questions about the eclectic character of Iron Age spirituality

Aesthetics · Ambiguity · Ancient history · Art · Art history · Character (mathematics) · Gesture · Iron Age · Linguistics · Literature · Political science · Politics · Spirituality · Statue · Ancient and Medieval Archaeology Studies · Historical and Archaeological Studies · History · Law · Philosophy · Religion, Theology, History, Judaism, Christianity

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Citations per year0.43
Citation span2012 - 2026 (15)
Highly citedNo

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