The Social Symbolism of Biafra Protest Songs in South-Eastern Nigeria

Bibliographic Data

ID3606368
AuthorsScholastica Ngozi Atata (Department of Communication and General Studies Federal University of Agriculture, Abeokuta, Nigeria), Ayokunle Olumuyiwa Omobowale (0000-0002-7455-1695, Department of Communication and General Studies Federal University of Agriculture, Abeokuta, Nigeria)
Year2018
Volume16
Issue1
Publication date2018-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Nigerian Journal of Sociology and Anthropology (JOURNAL)
Journal identifiersISSN: 0331-4111 • E-ISSN: 2536-7005
PublisherLujosh Ventures Limited (PUBLISHER)
DOI10.36108/njsa/8102/61(0110)
OpenAlexW3043233578
LanguageEN
Citations received2
References cited4

Protests are an essential element of democratisation process and a significant factor in the social struggle and commitment to a cause. Protests are staged in different forms, either, with placards or songs to portray socio-political grievance. This study explains the symbolism of Biafra protest songs in South-Eastern Nigeria. Protest songs are symbols that contextualise intent of a social struggle. The protest songs depict cultural and group ideology which fosters the Igbo identity cohesion in the Biafra struggle. These protest songs indicate shared patterns of behaviour and interaction, cognitive constructs and understanding that create unique symbolism of Biafra among the Igbo people in Nigeria. This paper argues that Biafra protest songs are a non-material culture that contextualises the meanings attached to Biafra in achieving identity capital, identity-cohesion, struggle sustenance and commitment during protests

Aesthetics · Art · Democracy · Democratization · Grievance · Identity (music · Ideology · Igbo · Linguistics · Media studies · Political science · Politics · Sociology · Sustenance · Tribalism · Critical Race Theory in Education · Discourse Analysis in Language Studies · Rhetoric and Communication Studies · Gender Studies · Law

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