The impact of the two Johannesburg biennales (1995 and 1997) on the formation of a 'New South African art
Bibliographic Data
| ID | 3607051 |
|---|---|
| Authors | Sabine Marschall (0000-0003-2761-5649, University of KwaZulu-Natal, corresponding author) |
| Year | 1999 |
| Volume | 25 |
| Issue | 2 |
| Pages | 119-137 |
| Publication date | 1999-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Social Dynamics (JOURNAL) |
| Journal identifiers | ISSN: 0253-3952 • E-ISSN: 1940-7874 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/02533959908458678 |
| OpenAlex | W2099783747 |
| Language | EN |
| Citations received | 4 |
| References cited | 12 |
(1999). The impact of the two Johannesburg biennales (1995 and 1997) on the formation of a ‘New South African art’. Social Dynamics: Vol. 25, No. 2, pp. 119-137
Geography · Socioeconomics · Sociology · Art History and Market Analysis · Art, Politics, and Modernism · Cultural Industries and Urban Development · History
Who's it for
Africa, art criticism and the big commentary
Contemporary South African Art
Art in South Africa
The Neglected Tradition
Insight
Africus
The 1995 and 1997 Johannesburg Biennales as a ‘reflection’ of contemporary South African art
South Africa in the Nineties
The Curator's Moment
Recoding the canon
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,16 |
| Citation span | 2001 - 2025 (25) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |