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Dialect and Dialectic in a British War Film

Bibliographic Data

ID3607252
AuthorsStephanie Marriott (University of Stirling, corresponding author)
Year1997
Volume1
Issue2
Pages173-193
Publication date1997-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Sociolinguistics (JOURNAL)
Journal identifiersISSN: 1360-6441 • E-ISSN: 1467-9841
PublisherWiley (PUBLISHER • GB)
DOI10.1111/1467-9481.00011
OpenAlexW1987463912
LanguageEN
Citations received6

British popular cinema in the 1940s was a key site of struggle over images of national identity and national unity. This paper discusses the representation of sociolectal variation in one British film, the 1942 In Which We Serve, and argues that the distribution of sociolinguistic variants in the film makes a significant contribution to the film's construction of a hierarchical model of social organisation. The simultaneous privileging of a standard variety and emphasis on sociolectal diversity is discussed in terms of an underlying Churchillian paternalistic rhetoric, and it is argued that there is a correlation between particular representations of sociolectal variation in films of this period and particular kinds of hegemonic effect

Aesthetics · Art · Art history · Cultural hegemony · Dialectic · Diversity (politics · Epistemology · Hegemony · Identity (music · Linguistics · Media studies · Movie theater · National identity · Political science · Representation (politics · Rhetoric · Sociology · Variation (astronomy · Variety (cybernetics · Anthropology · Gender Studies in Language · History · Law · Linguistic Variation and Morphology · Linguistics, Language Diversity, and Identity · Philosophy

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Unique citing works6
Citations per year0,29
Citation span2005 - 2022 (18)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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