Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Dance perspectives on drum language

A Yoruba example

Bibliographic Data

ID3609573
AuthorsNatasa Chanta-Martin (Choreomundus Master Programme — International Master in Dance Knowledge, Practice and Heritage Kalama 10, 15343, Aghia Paraskevi, Athens, Greece E-mail: [email protected], corresponding author)
Year2015
Volume60
Issue1
Pages9-15
Publication date2015-06-01
Open AccessNo
TypeARTICLE
VenueActa Ethnographica Hungarica (JOURNAL)
Journal identifiersISSN: 1216-9803 • E-ISSN: 1588-2586
PublisherAkademiai Kiado Zrt (PUBLISHER)
DOI10.1556/022.2015.60.1.2
OpenAlexW1953348200
LanguageEN
References cited9

Among the Yoruba people of southwest Nigeria, dancers have the ability to relate not only to music and rhythm, but also to the Yoruba tonal language. This is due to the fact that instruments being played during a dance event, once they are manipulated by the drummer, can follow the Yoruba language's tonality. Therefore, the so-called talking drums have the ability to articulate proverbs, poems, stories. The dancers' representations or interpretations of what the drums are saying create different artistic and cognitive dimensions during the dancing. When does a dancer follow only the rhythms of the drums and when does he or she have meaning in his/her gestures? What happens when the meanings derive from proverbial language? And moreover, what happens with the newest Yoruba dance generation which is said to have neglected their indigenous language for English? Going beyond choreomusical relationships, improvising, mimicking, interpreting and verbalising the content of the tonal percussions are some dimensions of Yoruba dance, which derive from exploring the personal dance experiences of a community of thought in Yorubaland

Aesthetics · Art · Dance · Gesture · Improvisation · Indigenous · Linguistics · Literature · Sociology · Visual arts · Yoruba · History · Language, Linguistics, Cultural Analysis · Language, Metaphor, and Cognition · Philosophy · Psychology · Translation Studies and Practices

  • Things As They Are

    Michael Jackson•Things as they are•1996

  • Oriki in Traditional Yoruba Music

    Tunji Vidal•African Arts•1969

  • Les rêveurs de la forêt

    Daniel Bariaux, Didier Demolin•Cahiers de musiques traditionnelles•1995

  • Composer et interpréter des rythmes. Musique et langage tambouriné chez les 'Aré'aré

    Hugo Zemp•Cahiers de musiques traditionnelles•1997

  • Tons de la langue, en gun (Dahomey), et tons du tambour

    Gilbert Rouget•Revue de musicologie•1964

  • African Talking Drums and Oral Noetics

    Walter J Ong•New Literary History•1977

  • The Drum Language of the Tumba People

    Roger T Clarke•American Journal of Sociology•1934

  • The drum language of the Lokele tribe

    John F Carrington•African Studies•1944

Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae