Exhuming Apartheid
Photography, Disappearance and Return
Bibliographic Data
| ID | 3609831 |
|---|---|
| Authors | Kylie Thomas (0000-0002-4157-0734, University of the Free State, corresponding author) |
| Year | 2018 |
| Volume | 230 |
| Issue | 230 |
| Pages | 429-454 |
| Publication date | 2018-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cahiers d études africaines (JOURNAL) |
| Journal identifiers | ISSN: 0008-0055 • E-ISSN: 1777-5353 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/etudesafricaines.22209 |
| OpenAlex | W2807048795 |
| Language | EN |
| Citations received | 3 |
| References cited | 16 |
This paper argues for thinking about the relation between photography and exhumation as well as the potential for photographs to bring buried histories into the light. After the close of the South African Truth and Reconciliation Commission, there were still hundreds of unresolved cases of people who had been killed under apartheid. The Missing Persons Task Team was established to investigate these cases and has subsequently located and exhumed the remains of many activists. This article examines the case of Siphiwo Mtimkulu, an anti-apartheid student activist who was abducted and murdered by the security police in April 1982, together with his comrade, Tobekile “Topsy” Madaka. The remains of Mtimkulu and Madaka were located in 2007, ten years after the security police who murdered them lied at the Truth Commission about the facts concerning how they were tortured and killed. Engaging with photographs of Mtimkulu taken before his disappearance and those of his mother Joyce Mtimkulu, I argue that both physical and photographic remains have a particular resonance in the wake of the Marikana massacre of 2012 and the protests against the persistence of colonialism and apartheid that young South Africans held at universities across the country in 2015-2016
Art · Colonialism · Commission · Media studies · Photography · Political science · Relation (database) · Sociology · Visual arts · African history and culture studies · Gender Studies · History · Law · Law in Society and Culture · South African History and Culture
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Black Student Politics
An alternative route for considering violence in photography
The House of Bondage”
Truth and lies
Trauma, Testimony, and Truth
Behold the Corpse
They Never Wept, the Men of my Race
Monuments and Affordance
Photography
The Farm, the River and the Picnic Spot
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2022 - 2025 (4) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |