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Pizza and Housos

Neoliberalism, the Discursive Construction of the Underclass and Its Representation

Bibliographic Data

ID3612673
AuthorsJ Stratton (0000-0001-6787-9388, University of South Australia, corresponding author)
Year2017
Volume38
Issue5
Pages530-544
Publication date2017-09-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Intercultural Studies (JOURNAL)
Journal identifiersISSN: 0725-6868 • E-ISSN: 1469-9540
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07256868.2017.1363167
OpenAlexW2761554866
LanguageEN
Citations received2
References cited20

There is limited scholarship about Paul Fenech’s television comedy series and films. What there is tends to focus on Pizza (2000–2007) and place it, and its spin-off film, Fat Pizza (2003), within what has been called the wogsploitation cycle that includes most prominently The Wog Boy (2000). In this article I discuss two of Fenech’s television series, Pizza and Housos (2011–2013), in the context of representations of the underclass. I argue that the discourse of the underclass has evolved as the Other of neoliberalism in a similar way that the dangerous class, what Karl Marx called the lumpenproletariat, was constructed as the Other of industrial capitalism. The characters in Pizza, with their pitiful below-minimum-wage earnings, exist on the borderline of the underclass, while the characters in Housos are immersed in the underclass existence. The film Housos v Authority (2012) is a populist exploration of Australian underclass life

Aesthetics · Art · Capitalism · Comedy · Literature · Media studies · Political economy · Political science · Politics · Scholarship · Sociology · Underclass · Anthropology · Cinema and Media Studies · Gender Studies · Gender, Feminism, and Media · History · Law · Social and Cultural Dynamics

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Unique citing works2
Citations per year0,33
Citation span2020 - 2021 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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