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Bibliographic Data

ID3613380
AuthorsTeagan Bradway (corresponding author)
Year2013
Volume19
Issue1
Pages79-110
Publication date2013-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGLQ A Journal of Lesbian and Gay Studies (JOURNAL)
Journal identifiersISSN: 1064-2684 • E-ISSN: 1527-9375
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/10642684-1729554
OpenAlexW2154325609
LanguageEN
Citations received4
References cited11

This essay argues that Eve Kosofsky Sedgwick's late-career turn toward positive affect is motivated by a desire to articulate an alternative ethical model to the governing paradigms of queer theory. Her ethics is premised on permeable intersubjectivity, based in the nonfoundational selves of post-structuralism and Buddhism. I map Sedgwick's ethics through her experimental memoir, A Dialogue on Love (1999), to demonstrate that its form locates subjectivity within a network of contingent, nonlinguistic, and reciprocal affective relations. By doing so, Dialogue models a permeable relationality that mitigates projective affects and offers a set of feelings more capacious than paranoia and more welcoming to queer possibilities for mutual nourishment, agency, and empathy. Sedgwick's ethics of intersubjectivity offers one way to expand queer theory's affective modalities to include a conception of durable and impersonal relations of holding that extend beyond the temporality of any one individual life

Aesthetics · Agency (philosophy · Epistemology · Feeling · Intersubjectivity · Psychoanalysis · Queer · Queer theory · Sociology · Subjectivity · Temporality · Foucault, Power, and Ethics · Gender Studies · Philosophy · Philosophy, Ethics, and Existentialism · Posthumanist Ethics and Activism · Psychology

  • Intersubjectivity and the disconnection in Patricia Lockwood’s No One Is Talking About This (2021)

    Open Access•R Marling•Subjectivity•2024

  • I Am Also a We”

    Stephanie L Young, Art Herbig•QED A Journal in GLBTQ Worldmaking•2020

  • Autobiography and|as Narcissism? Psychoanalysis and Self-Reflexive Life-Writing in Eve Kosofsky Sedgwick’s A Dialogue on Love and Alison Bechdel’s Are You My Mother

    Anne Rüggemeier, Maren Scheurer•a/b Auto/Biography Studies•2019

  • Everybody’s Kathy

    Anna Ioanes•Women s Studies•2024

  • The ends of performance

    Peggy Phelan•The ends of performance•1998

  • The Limits of Autobiography

    L Gilmore•Limits of Autobiography•2001

  • Eve Kosofsky Sedgwick

    Jason Edwards•Eve Kosofsky Sedgwick•2008

  • Giving an Account of Oneself

    Judith Butler•Giving an Account of Oneself•2025

  • The Promise of Happiness

    Sara Ahmed, Sara Ahmed Sayed Ali•Promise of Happiness•2010

  • The Buddhist Tradition in India, China, and Japan

    K N Jayatilleke, Wm Theodore De Bary et al.•Philosophy East and West•1970

  • Woven Spaces

    Katy Hawkins•Women & Performance a journal of…•2006

  • Melanie Klein and the Difference Affect Makes

    Eve Kosofsky Sedgwick•South Atlantic Quarterly•2007

  • Shame in the Cybernetic Fold

    Eve Kosofsky Sedgwick, Adam Frank•Critical Inquiry•1995

  • The Culture of Redemption

    Leo Bersani•Critical Inquiry•1986

Unique citing works4
Citations per year0,57
Citation span2019 - 2024 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae