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Panpipes and clubs

Early images of Tanna Islanders

Bibliographic Data

ID3614743
AuthorsLamont Lindstrom (University of Tulsa, corresponding author)
Year2020
Volume129
Issue1
Pages7-28
Publication date2020-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the Polynesian Society (JOURNAL)
Journal identifiersISSN: 0032-4000 • E-ISSN: 2230-5955
PublisherPolynesian Society (PUBLISHER • NZ)
DOI10.15286/jps.129.1.7-28
OpenAlexW3014601998
LanguageEN
Citations received1
References cited6

William Hodges, James Cook’s artist on his second voyage, produced notably popular and influential drawings and paintings. These included several illustrations of Tanna Islanders (Vanuatu) that shaped European visions of the island from the 1770s through the 1830s, after which they were supplanted by Christian missionary depictions. Influenced by neoclassicist artistic convention, Hodges’s engravings, which subsequently were much copied, commonly paired panpipes with clubs in islander hands. A chain of early engravings that feature panpipes and clubs reveals an initial heroic vision of natural island dignity, as both these accessories evoked European classical ideals. Although subsequent Christian and social evolutionary views later disavowed noble savage tropes, these persist in contemporary touristic appreciation of island musical talent and tradition

Aesthetics · Art · Art history · Convention · Dignity · Painting · Political science · Project commissioning · Publishing · Social science · Sociology · Vision · Visual arts · Anthropology · History · Island Studies and Pacific Affairs · Law · Pacific and Southeast Asian Studies · Travel Writing and Literature

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  • The Great Distinction

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  • A study of Tongan panpipes with a speculative interpretation

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Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo

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