Screening the East, Probing the Past

Since the fall of the Berlin Wall, unification, and the subsequent reinventionof the nation, German filmmakers have revisited theircountry's cinematic traditions with a view to placing themselves creativelyin the tradition of its intellectual and artistic heritage. One ofthe legacies that has served as a point of a new departure has beenthe Heimatfilm, or homeland film. As a genre it is renowned for itsrestorative stance, as it often features dialect and the renunciation ofcurrent topicality, advocates traditional gender roles, has antimodernovertones of rural, pastoral, often alpine, images, and expressesa longing for premodern times, for "the good old days" that supposedlystill exist away from the urban centres. The Nazis used Heimatfilms in an effort "to idealize 'Bauerntum' as the site of desirable traditionsand stereotyped the foreign (most often the urban) as thebreeding ground for moral decay

Aesthetics · Archaeology · Art · Art history · German · Homeland · Media studies · Movie theater · Nazism · Political science · Politics · Sociology · Communism, Protests, Social Movements · European history and politics · German History and Society · History · Law

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  Stefanie Dengler•Fremdsprache Deutsch•2005

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