Beyond "Pure" Literature
Mimesis, Formula, and the Postmodern in the Fiction of Murakami Haruki
Bibliographic Data
| ID | 3619784 |
|---|---|
| Authors | Matthew C Strecher (corresponding author) |
| Year | 1998 |
| Volume | 57 |
| Issue | 2 |
| Pages | 354-378 |
| Publication date | 1998-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Journal of Asian Studies (JOURNAL) |
| Journal identifiers | ISSN: 0021-9118 • E-ISSN: 1752-0401 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.2307/2658828 |
| OpenAlex | W2069354937 |
| Language | EN |
| Citations received | 13 |
| References cited | 14 |
With the publication ofKaze no Uta o Kike(Hear the Wind Sing; 1979), Murakami Haruki (b. 1949) found himself more or less at odds with well-known members of the Japanese literary establishment. If one takes Murakami at his word, this was not the result of conscious effort on his part, but rather a matter of his own individualism, a certain indifference (feigned or not) toward the conventions and opinions of professional critics in Japan's literary community. He commented to journalist Kawamoto Saburō in a 1985 interview that "[i]t never occurred to me to resist the paradigms of existing 'pure' literature, or to offer some kind of antithesis to it.... I don't think I worried about whether existing types of works would go on existing, so long as I could write what I wanted, how I wanted" (Kawamoto 1985, 39-40). Such a statement might be taken as a reflection of the author's anxiety not to be labeled "anti-bundan"or otherwise standing against the proliferation of so called "pure"literature, orjunbungaku.And yet, given the general trend of Japanese literature from 1980 onward, beginning perhaps with Tanaka Yasuo's plotless novelNantonaku, Kurisutaru(Somehow, Crystal; 1980), Murakami appears to belong to a growing new set of contemporary authors who do precisely that: resist the concepts and definitions of "pure"literature, redefining the term to suit their own needs
Aesthetics · Antithesis · Art · Epistemology · Individualism · Literature · Political science · Postmodernism · Reflexive pronoun · Set (abstract data type) · Sociology · Statement (logic) · Contemporary Literature and Criticism · Crime and Detective Fiction Studies · History · Law · Narrative Theory and Analysis · Philosophy
Contemporary Japanese Literature in Its Transition Towards the New Postmodern Humanism
Após o anoitecer e Kafka à beira-mar, de Haruki Murakami
Murakami Haruki's postmodern world
Romanticising Shinsengumi in Contemporary Japan
Between Jazz, Cherry Blossoms, and Baseball
Equivocal Endings and the Theme of Love in Murakami Haruki’s Love Stories
Exteriority and Transcritique
The ambivalent utopia
Globalization and Cultural Trends in China
Domesticating Wild Sheep
Going underground with Murakami Haruki
Murakami Haruki in Greater China
Going Underground with Murakami Haruki
Loving with a vengeance
The enigma of Japanese power
Adventure, Mystery, and Romance
Anatomy of Criticism
After the Great Divide
Reading the Romance
In Pursuit of Contemporary East Asian Culture
Off Center
Purely Mass or Massively Pure? The Division Between 'Pure' and 'Mass' Literature
The Concept of Formula in the Study of Popular Literature
Yoshimoto Banana Writes Home
Japanese Harlequin Romances as Transcultural Woman's Fiction
| Unique citing works | 13 |
|---|---|
| Citations per year | 0,54 |
| Citation span | 2002 - 2026 (25) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 10 |