Offsetting Queer Literary Labor

Bibliographic Data

ID3624789
AuthorsSamuel Solomon (0000-0002-0108-0423, corresponding author)
Year2018
Volume24
Issue2-3
Pages239-266
Publication date2018-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGLQ A Journal of Lesbian and Gay Studies (JOURNAL)
Journal identifiersISSN: 1064-2684 • E-ISSN: 1527-9375
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/10642684-4324801
OpenAlexW2752580078
LanguageEN
Citations received4
References cited19

Offsetting Queer Literary Labor” asks how LGBTQ+ people and other feminists navigated late twentieth-century changes in print technology in the period from roughly 1965-1990, a period during which typesetting was first computerized and then all but abandoned as part of the pre-print process. I do this by way of an encounter with the writings of Marxist-feminist poet Karen Brodine. The labor relations that surround the typesetting computer are part and parcel of the revolutionary working-class and queer socialist feminism that Brodine elaborates across her writing and that she worked for tirelessly in her life. Through a reading of her poetry, journals, and political activities, I argue that late-twentieth century US gender and sexual categories, as well as novel forms of queer intimacy, were forged through the material relations of print-related wage work. Rather than claiming to queer these texts or this history, this article argues that the concrete forms of feminized labor that attend literary technologies have been and continue to be the basis for the category of “LGBT literature

Art · Queer · Sociology · Anarchism and Radical Politics · Art, Politics, and Modernism · Copyright and Intellectual Property · Gender Studies

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