Racialisation in the Creative Industries and the Arab-Australian Multicultural Artist
Bibliographic Data
| ID | 3628077 |
|---|---|
| Authors | Sherene Idri (0000-0002-0842-5594, Western Sydney University, corresponding author), Sherene Idriss |
| Year | 2016 |
| Volume | 37 |
| Issue | 4 |
| Pages | 406-420 |
| Publication date | 2016-07-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Intercultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 0725-6868 • E-ISSN: 1469-9540 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07256868.2016.1190698 |
| OpenAlex | W2466646426 |
| Language | EN |
| Citations received | 17 |
| References cited | 35 |
In Australia, artists of ethnic minority backgrounds are generally offered marginal spaces in which they can express themselves. They tend to be called upon by the state to act as cultural brokers or offer representations of their supposedly neatly bounded communities in the name of social inclusion [Werbner 1997. Introduction: the dialectics of cultural hybridity. In: P. Werbner and T. Modood, eds. Debating cultural hybridity: multi-cultural identities and the politics of anti-racism. London: Zed Books, 1–28]. The aim of this paper is to highlight how processes of racialisation and multiculturalist discourses produce specific vocational identities, namely that of the ethnic minority, community artist who uses their creative forms of expression to redress social inequalities. Drawing on the findings of an in-depth, qualitative study with young, male, Arab-Australian creative workers during 2011–2014, I suggest that this particular vocational trajectory is indicative of the classed, exclusionary and hierarchical nature of the creative industries. The paper pays close attention to the ways they use creativity strategically to deal with broader issues of race-relations and experiences of discrimination to suggest that these ethnic minority creative workers potentially become what Brubaker calls ‘ethnopolitical entrepreneurs’ [2002. Ethnicity without groups. European journal of sociology, 43 (2), 163–189, p. 166] who live off as well as for their cultural difference
Aesthetics · Creativity · Ethnic group · Hybridity · Intersectionality · Multiculturalism · Political science · Politics · Racism · Redress · Sociology · Anthropology · Cultural Industries and Urban Development · Entrepreneurship Studies and Influences · Gender Studies · Law · Migration, Ethnicity, and Economy
Stepping to the fore
‘What's in a Name?’ Taxonomic Choices in the Field of Dance Studies
Diversity, Credibility and Cultural Labour as ‘Skill’
L’EDI comme instrument d’action publique
Too Muslim or not Muslim enough? Exploring identity negotiations for women visual artists in Australia
Religion and faith
Australian calisthenics
Wogs as work
The role of cultural organisations in matters of equity, diversity, and inclusion
Placing faith in creative labour
Combining motherhood and work in the creative industries
Constructing ethno-national differentiation on the set of the TV series, Fauda
The racialisation of local heritage
Migrant Artists and Migrating Art from Myanmar
Centring settler colonialism in rural Australian multicultures
Neoliberal Policy and Iraqi Theatre Makers in Australia
The rise and fall of French in a context of art and immigration
Introduction
The Claims of Culture
Covering Islam
Creative Labour
From Holloway to Hollywood
Social Capital and Networks in Film and TV
Class, Individualization and Late Modernity
Immigration and the metropolis
Ethnicity without groups
White Nation
Debating Cultural Hybridity
Multiculturalism and white paranoia in Australia
Cultural threats, cop drama, and ‘community PR’
Multiculturalism and Groups
A new beginning
Whose underground
The future of multi-ethnic Britain
Inclusion and Exclusion
Beards, scarves, halal meat, terrorists, forced marriage
Fashioning ethnicities
Ethnicities and our precarious future
Multiculturalism's double bind
Contemporary racism and Islamaphobia in Australia
Intersectionality and Feminist Politics
How does Interculturalism Contrast with Multiculturalism
Introduction - Negotiating Belonging
Shifting the boundaries of cultural spaces
Rethinking cultural capital and community-based arts
In the Social Factory
The 'diaspora' diaspora
Beyond 'identity
| Unique citing works | 17 |
|---|---|
| Citations per year | 1,89 |
| Citation span | 2017 - 2026 (10) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 17 |