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A Structural Reading of the Chuan in the Wen-yüan ying-hua

Bibliographic Data

ID3628524
AuthorsWilliam H Nienhauser (corresponding author)
Year1977
Volume36
Issue3
Pages443-456
Publication date1977-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Asian Studies (JOURNAL)
Journal identifiersISSN: 0021-9118 • E-ISSN: 1752-0401
PublisherDuke University Press (PUBLISHER • US)
DOI10.2307/2054093
OpenAlexW2107763849
LanguageEN
References cited10

Perhaps the first question should be "Why?" Why transport a critical apparatus heavily laden with paradoxical factions and conflicting terminology back a millennium to the Chinese genre known as cbuana? And why a genre study, when so much groundwork is still necessary before Chinese literature can begin to demand for itself a larger consideration in general contemporary literary criticism? To attend to the second query first, genre studies are essential now for two reasons: 1) because genres evolve much more readily than their designations, and 2) because they are so basic to a reader's (and thus a critic's) approach to a work. Misunderstandings of the diachronic changes of what a generic title may include have led to useless critiques, the most notable case being perhaps that of Henry James and Fielding. In reply to the question of why a structural approach, the answer is less definitive

Art · Criticism · Epistemology · Linguistics · Literary criticism · Literature · Reading (process) · Terminology · Chinese history and philosophy · History · Philosophy

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Citation velocityhistorical
Highly citedNo

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