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Killing the Father

Childhood and Renewal of Self-Narrative in Dambudzo Marechera's Fiction

Bibliographic Data

ID3633180
AuthorsRobert Muponde (University of the Witwatersrand, corresponding author)
Year2004
Volume30
Issue1
Pages14-27
Publication date2004-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSocial Dynamics (JOURNAL)
Journal identifiersISSN: 0253-3952 • E-ISSN: 1940-7874
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/02533950408628659
OpenAlexW2068809020
LanguageEN
Citations received1
References cited12

The contradictory impulses that characterise writing on Dambudzo Marechera's life and times were foreshadowed a long time ago in 1971 in an obligatory testimonial by his high school principal, Father Daniel Pearce, an Anglican priest. I discuss briefly the ways in which he maps Marechera's life, and suggest that he prefigured so much of its seeming intricacy and mythical qualities. Subsequent critics of his writing have only elaborated the contradictory templates of Father Pearce's hagiographic writing. What his critics have often missed in these writings and readings is Marechera's own effort at renewing his own self-narrative in the face of such readings of himself. The source of this narrative regeneration is in his recollection and uses of childhood to reflect on a longing for self-capitalisation, which is achieved by setting aside the narratives of the father (in multiple symbolic senses). His ideas of self-writing should be gleaned from his understanding and uses of childhood

Aesthetics · Art · Aside · Linguistics · Literature · Narrative · Psychoanalysis · Reflexive pronoun · Testimonial · Autobiographical and Biographical Writing · History · Irish and British Studies · Philosophy · Psychology · Themes in Literature Analysis

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Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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