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Desublimating monstrous desire

The Horror of Gender in New Extremist Cinema

Bibliographic Data

ID3638908
AuthorsLisa Coulthard (University of British Columbia, corresponding author), Chelsea Birks (University of British Columbia)
Year2016
Volume25
Issue4
Pages461-476
Publication date2016-07-03
Open AccessNo
TypeARTICLE
VenueJournal of Gender Studies (JOURNAL)
Journal identifiersISSN: 0958-9236 • E-ISSN: 1465-3869
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09589236.2015.1011100
OpenAlexW2015807654
LanguageEN
Citations received3
References cited12

Known for graphic gore and formal experimentation, films of European new extremism stand out for the way in which they combine sex with violence, stressing the body in extreme modes of being and rendering its materiality emphatic, uncanny and profoundly disturbing. While this emphasis on sex and violence has been widely recognized in scholarly literature on new extremism, its connections to gendered conventions of genre cinema have not. In this article, we contend that films such as Philippe Grandrieux's Sombre (1998), Lars von Trier's Antichrist (2009) and Claire Denis's Trouble Every Day (2001) directly reference gendered tropes and conventions of horror cinema in their explorations of desire, sexual difference and violence. Far from being inconsequential or secondary concerns, we argue that emphatically gendered characteristics of cinematic horror are crucial to the disturbing impact of these films. By appropriating tropes from the horror film, but refusing them the closure and recuperation customary to narrative conventions of the genre, new extremist films critique these gendered implications, calling attention to the paradoxes and contradictions inherent in the gender politics of horror

Aesthetics · Art · Film genre · Literature · Movie theater · Narrative · Political science · Politics · Sociology · Uncanny · Communism, Protests, Social Movements · Gender Studies · German legal, social, and political studies · Law · Terrorism, Counterterrorism, and Political Violence

  • Genitals on Screen

    Anna Batori•Studies in World Cinema•2025

  • Violent women in contemporary cinema

    Samantha Lindop•Continuum•2018

  • Yearning for Yesteryear

    Open Access•Sean R Tiffee, Sean Tiffee et al.•The Journal of Popular Culture•2020

  • The New Extremism in Cinema

    Tanya Horeck, Tanya C Horeck et al.•The new extremism in cinema•2011

  • The New Extremism in CinemaFrom France to Europe

    Tanya Horeck, Tanya C Horeck et al.•The new extremism in cinema•2011

  • Woman Run Amok

    Christopher Sharrett•Film International•2012

  • Men, Women, and Chain Saws

    Carol J Clover•Men, Women, and Chain Saws•2015

  • Horror and the Monstrous-Feminine

    Barbara Creed•Screen•1986

  • Masculinity and Monstrosity

    Open Access•Klaus Rieser•Men and Masculinities•2001

Citations per year0.38
Citation span2018 - 2025 (8)
Highly citedNo

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