Chinese Brush, Western Canvas

The travels of Italian artists and writers, and the making of China's international cultural identity in the mid-1950s

Bibliographic Data

ID3640360
AuthorsLaura De Giorgi (0000-0002-6702-3093, Ca' Foscari University of Venice, corresponding author)
Year2017
Volume51
Issue1
Pages170-193
Publication date2017-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueModern Asian Studies (JOURNAL)
Journal identifiersISSN: 0026-749X • E-ISSN: 1469-8099
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0026749x16000263
OpenAlexW2567690960
LanguageEN
Citations received10
References cited15

After 1955 the People's Republic of China looked to Western Europe to develop new economic and cultural relations, and to project its new image as an independent Socialist state. In this new context, between 1955 and 1957 several Italian delegations visited China to explore the possibility of cooperation between China and Italy in the field of literature and art. This article investigates the most important of these delegations, led by the jurist, Piero Calamandrei, in 1955, and some subsequent initiatives, such as the exhibition of Italian artists held in Beijing in 1956. Drawing mainly from Italian published and private sources, the article explores how Socialist China's revolutionary cultural identity was understood and received in Italy in this period. It does so with special reference to the impact of Soviet cultural influence on China, and the prospect of Sino-Italian cooperation in the field of arts and literature as a way to bridge the East-West political and ideological divide

Aesthetics · Archaeology · Art · Art history · Beijing · China · Context (archaeology · Cultural identity · Exhibition · Identity (music · Ideology · Political science · Politics · State (computer science · The arts · History · Italian Fascism and Post-war Society · Law

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