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The songs of a Northern Ostyak woman

Bibliographic Data

ID3643699
AuthorsKatalin Lázár (Institute for Musicology, corresponding author)
Year2010
Volume55
Issue1
Pages69-99
Publication date2010-06-01
Open AccessNo
TypeARTICLE
VenueActa Ethnographica Hungarica (JOURNAL)
Journal identifiersISSN: 1216-9803 • E-ISSN: 1588-2586
PublisherAkademiai Kiado Zrt (PUBLISHER)
DOI10.1556/aethn.55.2010.1.6
OpenAlexW2028781387
LanguageEN
References cited1

In 1980 Éva Schmidt, linguist and folklorist recorded 11 Ostyak songs from Anna Nikitichna Liskova, a Sherkal Ostyak woman. The songs are structured in lines, either two-seeded or threeseeded. The characteristics found during the 28 years of studying Ostyak songs, can be found in them: we can mention first of all fluctuating pitch and the structure of the melody and text. Respecting the melody, the songs of Anna Liskova represent a transition towards more developed, fixed, strophic forms: the lines mostly alternate regularly. The texts do not show such a transition; the archaic forms of Ostyak song creation are applied in them even when the topic is not archaic. This is an indication that the Ostyak songs may survive in a changed environment, under changed conditions

Art · Art history · New Woman · Sociology · Cultural and Sociopolitical Studies · Eurasian Exchange Networks · Gender Studies · History · Linguistics and Cultural Studies

Highly citedNo

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