The songs of a Northern Ostyak woman
Bibliographic Data
| ID | 3643699 |
|---|---|
| Authors | Katalin Lázár (Institute for Musicology, corresponding author) |
| Year | 2010 |
| Volume | 55 |
| Issue | 1 |
| Pages | 69-99 |
| Publication date | 2010-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Acta Ethnographica Hungarica (JOURNAL) |
| Journal identifiers | ISSN: 1216-9803 • E-ISSN: 1588-2586 |
| Publisher | Akademiai Kiado Zrt (PUBLISHER) |
| DOI | 10.1556/aethn.55.2010.1.6 |
| OpenAlex | W2028781387 |
| Language | EN |
| References cited | 1 |
In 1980 Éva Schmidt, linguist and folklorist recorded 11 Ostyak songs from Anna Nikitichna Liskova, a Sherkal Ostyak woman. The songs are structured in lines, either two-seeded or threeseeded. The characteristics found during the 28 years of studying Ostyak songs, can be found in them: we can mention first of all fluctuating pitch and the structure of the melody and text. Respecting the melody, the songs of Anna Liskova represent a transition towards more developed, fixed, strophic forms: the lines mostly alternate regularly. The texts do not show such a transition; the archaic forms of Ostyak song creation are applied in them even when the topic is not archaic. This is an indication that the Ostyak songs may survive in a changed environment, under changed conditions
Art · Art history · New Woman · Sociology · Cultural and Sociopolitical Studies · Eurasian Exchange Networks · Gender Studies · History · Linguistics and Cultural Studies
| Highly cited | No |
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