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Rewriting Collaboration

China, Japan, and the Self in the Diaries of Bai Jianwu

Bibliographic Data

ID3646502
AuthorsMarjorie Dryburgh (0000-0002-8459-9094, corresponding author)
Year2009
Volume68
Issue3
Pages689-714
Publication date2009-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Asian Studies (JOURNAL)
Journal identifiersISSN: 0021-9118 • E-ISSN: 1752-0401
PublisherDuke University Press (PUBLISHER • US)
DOI10.1017/s0021911809990027
OpenAlexW2155048040
LanguageEN
Citations received1
References cited42

This essay considers the meanings of Sino-Japanese collaboration before the Second Sino-Japanese War (1937-45) through the personal diary of one collaborator, Bai Jianwu (1886-1937). Rather than debate the veracity of the diary narrative, the author considers the diary as a "political performance"-as an assembly of formulaic elements borrowed from contemporary discourse, historical example, and generic conventions that was designed to locate collaboration within a range of conceivable responses to China's predicament. While the emerging narratives of national resistance typically portrayed collaboration as an unthinkable transgression, the collaboration narrative of the diary, shifting and often ambivalent, illuminates the terms on which Bai was prepared to argue that collaboration with the Japanese was an acceptable choice, and the place that he allowed collaboration in the story of his life

Aesthetics · Ambivalence · Art · China · Literature · Media studies · Narrative · Political science · Politics · Resistance (ecology · Rewriting · Sociology · Asian Culture and Media Studies · Computer Science · Gender Studies · History · Japanese History and Culture · Law · Philippine History and Culture · Psychology · Social Psychology

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Unique citing works1
Citations per year0,07
Citation span2011 - 2011 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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