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The Denk ich an Deutschland Films of the Two Andreases from the East

Kleinert's Bewildering Berlin and Dresen's Stagnating Uckermark

Bibliographic Data

ID3651235
AuthorsMargit M Sinka (corresponding author), Margit Sinka (0000-0001-7145-3179)
Year2007
Volume25
Issue4
Pages66-98
Publication date2007-12-01
Open AccessNo
TypeARTICLE
VenueGerman Politics & Society (JOURNAL)
Journal identifiersISSN: 1045-0300 • E-ISSN: 1558-5441
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/gps.2007.250405
OpenAlexW2071915741
LanguageEN

Launched in 1998 on the eve of the eighth Day of German Unity, the Denk ich an Deutschland television film series was intended to reframe discourses on national identity formation in a positive light through documentaries focused on the present rather than on the dark German past. While Andreas Kleinert's Niemandsland (No Man's Land, 1998) and Andreas Dresen's Herr Wichmann von der CDU (Vote for Henryk!, 2003), the first and last films televised, do center on the present, they highlight dissonances between personal and national concerns. Still, Kleinert deconstructs the dissonances and artificial syntheses he himself invents in order to reveal them as constructs to be reconfigured by viewers. By showing the inability of politicians to bridge the gap between personal and national concerns due to the erosion of their private identities, Dresen also appeals to viewers to initiate needed societal changes themselves

Business · Cognitive reframing · Economic history · German · Media studies · National identity · Political science · Politics · Sociology · German Colonialism and Identity Studies · German History and Society · History · Law · Literature and Cultural Memory · Psychology

Highly citedNo

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