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The Rise of Homosexuality and the Dawn of Communism in Hong Kong Film

1993-1998

Bibliographic Data

ID3653192
AuthorsAndrew Grossman (Rutgers, the State University of New Jersey, corresponding author)
Year2000
Volume39
Issue3-4
Pages149-186
Publication date2000-11-28
Open AccessNo
TypeARTICLE
VenueJournal of Homosexuality (JOURNAL)
Journal identifiersISSN: 0091-8369 • E-ISSN: 1540-3602
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1300/j082v39n03_06
PMID11133130
OpenAlexW2271910442
LanguageEN

I have designed this essay as a general overview of the self-evident trend towards queer subject matter in the past decade in Hong Kong film, a trend that not only coincides historically with the 1997 handover to the Mainland but also frequently comes equipped with parent-child relationships that can be read as allegories for the colony's future as the "child" to its mother country. Queerness in HK films has both alternated between and combined indigenous forms of queerness and the imported Western variety; by charting courses through internationalized concepts of homosexuality, HK films have posited their queerness not only as an existential allegory of (post)colonialism but also as a claim (or hope) for a utopian sexuality cum utopian international politics

Allegory · Art history · Colonialism · Communism · Existentialism · Homosexuality · Human sexuality · Indigenous · Lesbian · Political science · Politics · Psychoanalysis · Queer · Sociology · Subject (documents · Gender Studies · History · Hong Kong and Taiwan Politics · Law · Psychology · Socioeconomic Development in Asia

Highly citedNo

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