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Red Guards and Salarymen

The Chinese Cultural Revolution and Comic Satire in 1960s Japan

Bibliographic Data

ID3656397
AuthorsErik Esselstrom (University of Vermont, corresponding author)
Year2015
Volume74
Issue4
Pages953-976
Publication date2015-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Asian Studies (JOURNAL)
Journal identifiersISSN: 0021-9118 • E-ISSN: 1752-0401
PublisherDuke University Press (PUBLISHER • US)
DOI10.1017/s0021911815001096
OpenAlexW2264103099
LanguageEN
References cited23

This article explores how Japanese comic artists represented the early years of the Chinese Cultural Revolution in popular print culture, especially lowbrow comic magazines. It posits that Japanese cartoonists in their role as both purveyors of everyday humor and keenly observant social commentators employed the imagery and rhetoric of the Red Guard movement to critique the conservative social and economic order of Japanese corporate culture during the late 1960s era of high-speed growth; moreover, it contends that there was a surprisingly receptive audience for such criticism among the rank-and-file "salarymen" of the urban Japanese middle class. Finally, the precisely informed humor found in these comics also suggests that their target audience possessed detailed familiarity with contemporary events on the continent and interpreted those events through a deeply embedded cultural framework of ambivalence concerning modern Chinese society

Aesthetics · Ambivalence · Art · China · Comics · Criticism · Cultural revolution · Guard (computer science) · Literature · Media studies · Political science · Popular culture · Rhetoric · Sociology · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Japanese History and Culture · Law · Psychology · Social Psychology

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Citation velocityhistorical
Highly citedNo

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