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Le sexe de l'artiste

Le Devenir-Femme Du Sculpteur Bamana

Bibliographic Data

ID3658353
AuthorsFrançois Warin (corresponding author)
Year1996
Volume36
Issue141
Pages243-256
Publication date1996-01-01
Open AccessYes
TypeARTICLE
VenueCahiers d études africaines (JOURNAL)
Journal identifiersISSN: 0008-0055 • E-ISSN: 1777-5353
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/cea.1996.2013
OpenAlexW1970904034
LanguageEN

The Artist's Gender: The Bamana Sculptor's "becoming woman". - By focusing attention not on the work of art but on the process for making it, the question of abstraction in African art-the refusal of images and imitation-can be raised in new terms. The paradigms of fertilization and childbirth are indispensable for understanding this process. Intensely felt by the sculptor, the analogy between creation and procreation brings about the "becoming woman" of this sacred outcast, whose tragic destiny is presented herein. Indifferent to theoretical-undoubtedly masculine-pretensions, this field-work on the Bamana (Mali), like its subject matter, bears witness, through its extreme receptivity, to art's essential feminity

Art · Art history · Destiny (ISS module) · Humanities · Sociology · Subject (documents) · Subject matter · Witness · African Studies and Ethnography · French Urban and Social Studies · Multiculturalism, Politics, Migration, Gender · Philosophy

Highly citedNo

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