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"Protesting "a Bigger and Better Birth of a Nation

Lost Causism and Black Resistance to David O. Selznick's Gone with the Wind, 1936-1940

Bibliographic Data

ID3664451
AuthorsTaulby H Edmondson (Virginia Tech, corresponding author)
Year2020
Volume105
Issue2
Pages242-270
Publication date2020-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of African American History (JOURNAL)
Journal identifiersISSN: 1548-1867 • E-ISSN: 2153-5086
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/706332
OpenAlexW3037335891
LanguageEN
Citations received1
References cited2

This article traces the history of concerted black resistance to the film Gone with the Wind, whose popularity I argue was contingent on its expression of white nationalist pro-Confederate, pro-slaveholder Lost Cause mythology. By centering the voices of the resistance, this article offers a corrective to previous scholarship that fails to grasp the resistance’s significance or frames it as merely provoked by the offensive nature of the film’s racist imagery and language. Instead, at the heart of the protest was the danger that the film’s mythology posed to black communities if it became entrenched in white national historical consciousness. Activists were correct about the film’s ideological impact, and their protests wielded real influence, altering the film’s final product to be less overtly racist. However, failing to stop Gone with the Wind, while muting its most racist components, contributed to the film’s incredible popularity and its longevity

Aesthetics · Art · Ideology · Literature · Media studies · Mythology · Nationalism · Offensive · Political science · Politics · Popularity · Scholarship · Sociology · American History and Culture · Engineering · History · Law · Race, History, and American Society · Theater, Performance, and Music History

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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