Reviving Authenticity through Traditional Crafts and Folk Art in Hungary
Bibliographic Data
| ID | 3666908 |
|---|---|
| Authors | Fruzsina Cseh (0009-0001-8595-4115, Hungarian Research Network, corresponding author) |
| Year | 2023 |
| Volume | 66 |
| Issue | 2 |
| Pages | 581-618 |
| Publication date | 2023-01-11 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Acta Ethnographica Hungarica (JOURNAL) |
| Journal identifiers | ISSN: 1216-9803 • E-ISSN: 1588-2586 |
| Publisher | Akademiai Kiado Zrt (PUBLISHER) |
| DOI | 10.1556/022.2021.00039 |
| OpenAlex | W4311862205 |
| Language | EN |
| Citations received | 2 |
| References cited | 11 |
Folk art and applied folk art have been constantly shaped by cultural and political actors, as well as social and economic processes and the local society affected by them. In the context of these changes, the definitions of authentic, original, and genuine were given a new interpretation, which can be examined in different contexts. The question of authenticity in material folk art arose shortly after the birth of the concept of folk art and the "discovery" of folk art, and has accompanied the history of the revival of material folk art. Nevertheless, although discourses on the subject have been ongoing for a long time in the fields of folklore, theoretical works dealing with material folk art have not paid much attention to the issue of authenticity. The study first describes the contexts through which the issue of authenticity was articulated in artifact production inspired by folk art. The changed social conditions during the 20th century have also generated, and are still generating, new legal dilemmas in the field of artifact production at both community and individual levels, such as the extent to which folk art is individual or community-owned (taking into account the narrower and wider community), and the copyright of an authentic folk artist or craftsman or a creator recognized as a folk artisan. The questions lead to the evolution of the definition of authenticity and point out, among other things, the role that the issue of authenticity plays in the process of the heritagization of folk art
Aesthetics · Archaeology · Art · Context (archaeology · Folk culture · Folklore · Interpretation (philosophy · Linguistics · Political science · Politics · Sociology · Anthropology · Cultural Heritage Management and Preservation · Cultural Industries and Urban Development · History · Law · Museums and Cultural Heritage · Philosophy
The Palgrave Handbook of Contemporary Heritage Research
Annals of tourism research
Cultural heritage authenticity
The tourist
Folk Artisans and Dissidence in the Nomadic Generation of the 1970s and 1980s
Social Change, Dress and Identity
Etnodizajn and Folkstar Souvenirs
A Paradox of Applied Folk Arts. The Contribution of Cooperative Folk Arts to the Construction of the Notion of the Emblematic Creator
Cottage Industry Co-Operatives with Applied Folk Art Profile in Hungary after World War II
Tourism and Cultural Displays
| Citations per year | 1 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |