Marking resistance? Change and continuity in the recent rock art of the southern Kimberley, Australia
Bibliographic Data
| ID | 3735683 |
|---|---|
| Authors | Sue O''Connor (0000-0001-9381-078X, Australian National University), Sue O'Connor, Jane Balme (0000-0003-1387-9379, The University of Western Australia), Jane Fyfe (0000-0002-8361-6307, The University of Western Australia), June Oscar (0000-0002-9159-1883, Southern Cross University), Mona Oscar (Southern Cross University), June Davis (Southern Cross University), Helen Malo (Southern Cross University), Rosemary Nuggett (RMIT University), Dorothy Surprise (RMIT University) |
| Year | 2013 |
| Volume | 87 |
| Issue | 336 |
| Pages | 539-554 |
| Publication date | 2013-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Antiquity (JOURNAL) |
| Journal identifiers | ISSN: 0003-598X • E-ISSN: 1745-1744 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0003598x00049115 |
| OpenAlex | W2128059047 |
| Language | EN |
| Citations received | 19 |
| References cited | 16 |
Enhanced by recent survey, the authors define new kinds of rock art along the Lennard and Fitzroy rivers in Western Australia-black pigment and scratch-work images featuring anthropomorphic figures with elaborate head-dresses. These are shown to belong to the Contact period and represent the response of Indigenous artists to European land-taking by recalling and restating traditional themes from earlier times
Aesthetics · Archaeology · Art · Geography · Indigenous · Period (music) · Resistance (ecology) · Rock art · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · Geology · History · Pleistocene-Era Hominins and Archaeology
Kimberley Rock Art
Mineral deposition systems at rock art sites, Kimberley, Northern Australia — Field observations
Identity Through Iteration
Ancestral Connections
Contact Rock Art
Power in Food on the Maritime Frontier
Scratching the surface
La Cueva de las Mulas
Connection, trespass, identity and a swastika
Making rock art under the Spanish empire
Histories of rock art research in Western Australia’s Kimberley, 1838–2000
Country and Relational Ontology in the Kimberley, Northwest Australia
Linear Naturalistic Figures
Kimberley Stout figures’
Once were foragers
The archaeometry of ochre sensu lato
From Top Down Under
Resistance and remembering through rock art
Superpositions and superimpositions in rock art studies
Beyond art
Journals of Two Expeditions of Discovery in North-West and Western Australia, during the Years 1837, 38, and 39
‘Were You Ever Savages?’ Aboriginal Insiders and Pastoralists' Patronage
Mythology in Northern Kimberley, North‐west Australia
Grey's Northern Kimberley Cave‐paintings Re‐found
Wandjina, graffiti and heritage
Painting History
The Bradshaw Debate
Changing ecological concerns in rock-art subject matter of north Australia's Keep River region
A Minimum Age For Early Depictions Of Southeast Asian Praus in the Rock Art of Arnhem Land, Northern Territory
A story of colourful diggers and grinders
Indigenous perceptions of contact at Inthanoona, Northwest Western Australia
At the centre of it all
Function and change in aboriginal rock art, Western Australia
Repainting of images on rock in Australia and the maintenance of Aboriginal culture
| Unique citing works | 19 |
|---|---|
| Citations per year | 2,11 |
| Citation span | 2017 - 2025 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 19 |