Hooligans and Heroes

Youth Identity and Hip-Hop in Dar es Salaam, Tanzania

Bibliographic Data

ID3750448
AuthorsAlex Perullo (corresponding author)
Year2005
Volume51
Issue4
Pages75-101
Publication date2005-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrica Today (JOURNAL)
Journal identifiersISSN: 0001-9887 • E-ISSN: 1527-1978
PublisherIndiana University Press (PUBLISHER • US)
DOI10.1353/at.2005.0045
OpenAlexW4235762757
LanguageEN
Citations received64
References cited13

During the 1990s, the rise in popularity of hip-hop culture in Tanzania brought increased public scrutiny of urban youth due, in part, to preconceived notions of youth culture and rap music. In newspaper articles and public discourses, youth were quickly targeted and labeled hooligans (wahuni), and often associated with words such as violent, hostile, and disruptive. Youth used music to combat these stereotypes and project images of themselves as creative and empowered individuals in society. In this article, I examine the ways that youth use rap music to confront stereotypes of young people, and reach the broader listening public through politically and socially relevant lyrics. Using transcriptions of lyrics and interviews with artists, I argue that youth have turned a foreign musical form into a critical medium of social empowerment whereby they are able to create a sense of community among other urban youth, voice their ideas and opinions to a broad listening public, and alter conceptions of youth as hooligans

Active listening · Art · Dar es salaam · Empowerment · Ethnology · Literature · Lyrics · Media studies · Musical · Political science · Popular music · Popularity · Scrutiny · Sociology · Tanzania · Visual arts · Youth culture · Youth studies · Caribbean history, culture, and politics · Gender Studies · Gender, Feminism, and Media · Law · Music History and Culture · Psychology · Social Psychology

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