Malvinas
Identidades Y Territorialidades en Series No Ficcionales Recientes
Bibliographic Data
| ID | 3767041 |
|---|---|
| Authors | Carolina Casali (Universidad Nacional de Córdoba, corresponding author) |
| Year | 2016 |
| Volume | 15 |
| Publication date | 2016-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Amerika (JOURNAL) |
| Journal identifiers | ISSN: 2107-0806 • E-ISSN: 2107-0806 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/amerika.7749 |
| OpenAlex | W2561282505 |
| Language | EN |
| References cited | 2 |
From a semiotic perspective dwells on the theory of social discourses given by Eliseo Verón, we conceive Malvinas as an object not closed but rather open, dynamic and tense. In this regard, the National Institute of Cinema and Visual Arts has funded in recent years various audiovisual productions that have assumed the representation of the Malvinas Question through the genre of nonfiction. More than 30 years of the war-as traumatic event-, through this corpus we analyze how the problem is constructed, what territorialities and identities are configured
Art · Art history · Humanities · Linguistics · Movie theater · Political science · Semiotics · Sociology · The arts · Visual arts · Cinema History and Criticism · History · Literature, Culture, and Aesthetics · Philosophy · Radio, Podcasts, and Digital Media
| Highly cited | No |
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