Cinematic Belief
Bazinian Cinephilia and Malick's the Tree of Life
Bibliographic Data
| ID | 3774071 |
|---|---|
| Authors | Robert Sinnerbrink (0000-0002-3330-3038, a Department of Philosophy , Building W6A, Balaclava Rd Macquarie University , North Ryde, NSW 2109, Sydney , Australia) |
| Year | 2012 |
| Volume | 17 |
| Issue | 4 |
| Pages | 95-117 |
| Publication date | 2012-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Angelaki (JOURNAL) |
| Journal identifiers | ISSN: 0969-725X • E-ISSN: 1469-2899 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0969725x.2012.747332 |
| OpenAlex | W2625485160 |
| Language | EN |
| Citations received | 4 |
| References cited | 18 |
Given the so-called “crisis” in film theory, the digital mutations of the medium, and the renewed interest in historicism, cinephilia, and film philosophy, André Bazin's thought appears ripe for retrieval and renewal. Indeed, his role in the renaissance of philosophical film theory, I argue, is less epistemological and ontological than moral and aesthetic. It is a quest to explore the revelatory possibilities of cinematic images; not only their power to reveal reality under a multiplicity of aspects but to satisfy our desire for myth – to allow an aesthetic overcoming of the limits of consciousness and memory. The question I wish to explore is whether cinema has the power to restore our belief in reality, in the worlds that film can reveal, in the experience that it can capture and transfigure. My case study for exploring this question, the question of belief in cinema or what we could call a Bazinian cinephilia, will be Terrence Malick's The Tree of Life (2011); a film whose sublime aesthetics and unorthodox religiosity has provoked polarised critical responses, but whose remarkable ambition is to create a mythology – personal, historical, and cosmological – capable of reanimating belief in cinema and in the world
Aesthetics · Art · Art history · Consciousness · Epistemology · Film theory · Literature · Movie theater · Mythology · Power (physics · Religiosity · Sublime · Theology · Cinema and Media Studies · Photography and Visual Culture · Visual Culture and Art Theory · Philosophy
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,57 |
| Citation span | 2019 - 2022 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |