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Structure, Sign and Play in the Discourse of Paul Auster's In the Country of Last Things

Bibliographic Data

ID3774965
AuthorsNiall Lucy (a Curtin University of Technology , GPO Box U1987, Perth, WA 6845, Australia)
Year2009
Volume14
Issue2
Pages21-28
Publication date2009-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAngelaki (JOURNAL)
Journal identifiersISSN: 0969-725X • E-ISSN: 1469-2899
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09697250903278745
OpenAlexW2006581345
LanguageEN
References cited1

Click to increase image sizeClick to decrease image size Notes notes 1 Auster, In the Country, 115; further references are given in the text. 2 See Kant, Critique, §40. 3 Foucault, “Nietzsche, Genealogy” 246, 247. 4 See Deleuze and Guattari, “Rhizome”; and Lucy, Postmodern 184–203. 5 See Derrida, “Différance”; and Lucy, Derrida 25–27. 6 See Derrida, Specters; and Lucy, Derrida 14–25. 7 On “the metaphysics of presence,” see Lucy, Derrida 76–79, 101–04. 8 Derrida, “Artifactualities” 13. 9 Ibid. 12. 10 Ibid. 11. 11 See Lucy, Derrida 111–18. 12 Derrida, “Artifactualities” 17. 13 See Derrida, “Ulysses”; Caputo, Deconstruction 181–200; and Lucy, Derrida 161–67

Art · Art history · Deconstruction (building · Deleuze and Guattari · Epistemology · Literature · Metaphysics · Michel foucault · Postmodernism · Sign (mathematics · Theology · Contemporary Literature and Criticism · Themes in Literature Analysis · Philosophy

Citation velocityhistorical
Highly citedNo

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