Entre o crochet, o xadrez e o banheirão
Cinema, literatura e erotismo através dos textos O menino do Gouveia (1914), La narración de la historia (1959) e No se lo digas a nadie (1994)
Bibliographic Data
| ID | 3777508 |
|---|---|
| Authors | Helder Thiago Cordeiro Maia (0000-0001-8196-3199, Universidade de São Paulo, corresponding author) |
| Year | 2019 |
| Volume | 11 |
| Issue | 22 |
| Pages | 287-302 |
| Publication date | 2019-05-13 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Antares letras e humanidades (JOURNAL) |
| Journal identifiers | ISSN: 1984-4921 • E-ISSN: 1984-4921 |
| Publisher | Universidade Caixias do Sul (PUBLISHER) |
| DOI | 10.18226/19844921.v11.n22.16 |
| OpenAlex | W2945702247 |
| Language | PT |
| References cited | 1 |
In this work, I analyze three literary texts that narrate erotic experiences in non-pornographic cinemas.To do this, I analyze textualities that go through the three phases of cinema: the period of increasing narrativity, the emergence of the large exhibition halls and the displacement of the street cinemas for the shopping centers.One of the objectives of this text is also to problematize the affirmation of the researcher James Green (GATTI, 2000) who says that cinemas are crusing spaces, since the beginning of the twentieth century
Cinema History and Criticism · Cultural, Media, and Literary Studies · Literature, Culture, and Criticism
| Highly cited | No |
|---|