Shakespeare no teatro do pós-guerra britânico
Bingo de Edward Bond, a relação arte-sociedade e o uso estratégico do cânone
Bibliographic Data
| ID | 3777552 |
|---|---|
| Authors | Jonathan Renan Da Silva Souza (0000-0002-4531-2185, Hospital Universitário da Universidade de São Paulo, corresponding author) |
| Year | 2019 |
| Volume | 11 |
| Issue | 24 |
| Pages | 68-84 |
| Publication date | 2019-12-19 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Antares letras e humanidades (JOURNAL) |
| Journal identifiers | ISSN: 1984-4921 • E-ISSN: 1984-4921 |
| Publisher | Universidade Caixias do Sul (PUBLISHER) |
| DOI | 10.18226/19844921.v11.n24.04 |
| OpenAlex | W2995227826 |
| Language | PT |
This article aims to draft an analysis of the play Bingo (1973) by the British playwright Edward Bond, which portrays William Shakespeare in the context of the common lands' enclosure in Elizabethan England.It is intended to discuss the role of artists
Art · Humanities · Shakespeare, Adaptation, and Literary Criticism · South Asian Cinema and Culture · Theatre and Performance Studies
| Highly cited | No |
|---|