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The Talking Balafon of the Sambla

Grammatical Principles and Documentary Implications

Bibliographic Data

ID3777841
AuthorsLaura Mcpherson (0000-0002-9027-0375, corresponding author)
Year2019
Volume60
Issue3
Pages255-294
Publication date2019-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAnthropological linguistics (JOURNAL)
Journal identifiersISSN: 0003-5483 • E-ISSN: 1944-6527
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/anl.2019.0006
OpenAlexW2972598350
LanguageEN
Citations received13
References cited24

This article makes the case for linguists to take part in the study of musical surrogate languages, where linguistic form is transposed onto music. It draws on the case study of the Sambla balafon, a West African resonator xylophone. Seenku (Northwestern Mande, Samogo), the language of the Sambla people, has a highly complex tonal system, whose four contrastive levels and multiple contour tones are encoded musically in the notes of the balafon , allowing musicians to communicate without ever opening their mouths. I analyze the grammar of the surrogate language and demonstrate its use in both phonological analysis and language documentation

Art · Grammar · Linguistics · Literature · Musical · Phonology · History · Linguistic Variation and Morphology · Multilingual Education and Policy · Philosophy · Phonetics and Phonology Research · Psychology

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Unique citing works13
Citations per year1,86
Citation span2019 - 2026 (8)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 11

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