Audiovisuality of the mist
Video-Cliffs vs Video-Clips
Bibliographic Data
| ID | 3790455 |
|---|---|
| Authors | Omar Rincón (0000-0002-8690-2253, corresponding author), Lina Tono (Centro Universitário Belas Artes de São Paulo) |
| Year | 2015 |
| Volume | 13 |
| Issue | 25 |
| Pages | 115-133 |
| Publication date | 2015-06-14 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ARS (São Paulo (JOURNAL) |
| Journal identifiers | ISSN: 1678-5320 • E-ISSN: 2178-0447 |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2178-0447.ars.2015.105527 |
| OpenAlex | W2227827140 |
| Language | EN |
Transparency is the value of our time: Political transparency as a democratic principle. Visual transparency on the digital. Body transparency as aesthetics of seduction. This essay-creation claims that, from and on audiovisual, the visual transparency is an explicit way to conceal, hide, losing the polysemy of images. And proposes the ambiguous of the visible, the dirty look, the bastard identities as a creative tactic to reach narrative, aesthetics, truth and audiovisual representation. Thus, the figure of the fog as in-between visibility gain power to intervene the digital and television transparency. This essay-creation seeks to rethink the visual aesthetics and audiovisual narrative through the figure of the mist. At the end, it propose the video-cliff format (or narrative vertigo over the fog) as impure alternative that breaks the transparency of the our vide-clip era
Aesthetics · Art · CLIPS · Computer security · Literature · Narrative · Sociology · Visual arts · Cinema and Media Studies · Computer Science · Law in Society and Culture · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |