Music in Modern Uzbekistan
The Convergence of Marxist Aesthetics and Central Asian Tradition
Bibliographic Data
| ID | 3793449 |
|---|---|
| Authors | Theodore C Levin (corresponding author) |
| Year | 1980 |
| Volume | 12 |
| Issue | 1 |
| Pages | 149 |
| Publication date | 1980-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Music (JOURNAL) |
| Journal identifiers | ISSN: 0044-9202 • E-ISSN: 1553-5630 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/833801 |
| OpenAlex | W2328351795 |
| Language | EN |
| Citations received | 8 |
| References cited | 1 |
Theodore C. Levin, Music in Modern Uzbekistan: The Convergence of Marxist Aesthetics and Central Asian Tradition, Asian Music, Vol. 12, No. 1, Symposium on Art Musics in Muslim Nations (1980), pp. 149-158
Aesthetics · Ancient history · Art · Central asia · Convergence (economics) · Economic growth · Economics · Literature · Marxist philosophy · Political science · Diverse Musicological Studies · History · Law · Soviet and Russian History
Authenticity” and the foreign audience for traditional music in Southwest China
Formation of the Mugham Singing School in Azerbaijan (Late 19th – First Half of the 20th Centuries)
The Return of the Far-Off Past
Individuality and Political Discourse in Solo "Dizi" Compositions
Siren songs
The Moon Remembers Uncle Ho
Musical Evolution and the Other
Il n'y a plus d'artiste ici
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,26 |
| Citation span | 1995 - 2022 (28) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |