The Song Is Ended
Changes on the Use of Macapat in Central Java
Bibliographic Data
| ID | 3793476 |
|---|---|
| Authors | Martin Hatch (corresponding author) |
| Year | 1976 |
| Volume | 7 |
| Issue | 2 |
| Pages | 59 |
| Publication date | 1976-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Music (JOURNAL) |
| Journal identifiers | ISSN: 0044-9202 • E-ISSN: 1553-5630 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/833789 |
| OpenAlex | W2331541917 |
| Language | EN |
| Citations received | 2 |
The popularity of new forms of music in Indonesia does not necessarily mean traditional forms are forsaken. There is give and take between types of music; resulting in a merging of new and old forms. This paper is a study of one such traditional musical and poetic form that has now been adapted to new uses. Specifically this is a study of some of the ways in which Central Javanese tembang (genres of traditional sung poems) are used in new contexts and at the same time fall into disuse in several older
Java · Programming language · Asian Studies and History · Computer Science · Cultural and Artistic Studies · History
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.05 |
| Citation span | 1985 - 1996 (12) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |